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  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
  • Federico Poli photography - painting photography
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Photography does not create images, it transfers them into a paper surface.
In the same way, my painting is not meant to enhance or enlarge the meaning of photography,
but to lay a living, materic, gut, human subjectivity on top of what is nothing but a surface.

Painted marks are contrasts, unresolved stains that would fade to nothing if they were resolved;
their overlapping moulds inner realities.

Flashing lights burn whenever they are scratched and dug.
A fire too powerful to need a flame.


Tecnique used:
ink, acrylic and pigment colour
and my knife to scratch the photographic surface


Expositions:
Apr.-May. 2018: Bottega Dingi- Bologna (Italy)
Feb. 2017: Galleria Mentana - Florence (Italy)
Apr. 2017: Crypt Gallery - London (UK)